Cosima zu Knyphausen

Works
  • Cosima zu Knyphausen, Muster (win-win), 2024
    Muster (win-win), 2024
  • Cosima zu Knyphausen, Re: an edge between two images (4), 2024
    Re: an edge between two images (4), 2024
  • Cosima zu Knyphausen, Así eran las griegas, 2023
    Así eran las griegas, 2023
  • Cosima zu Knyphausen, Lontananza, 2023
    Lontananza, 2023
  • Cosima zu Knyphausen, Re: an edge between two images (3), 2023
    Re: an edge between two images (3), 2023
  • Cosima zu Knyphausen, Seam Allowance, 2023
    Seam Allowance, 2023
  • Cosima zu Knyphausen, Man stirbt nicht an der Wahrheit, 2022
    Man stirbt nicht an der Wahrheit, 2022
  • Cosima zu Knyphausen, Muster (Narciso), 2022
    Muster (Narciso), 2022
Biography

 

Cosima zu Knyphausen’s works seem to tap into the sacred space between the intimate and the historic. In her paintings she challenges the depiction and reception of iconic motifs, illuminating specifically the conventions around representation of women in (art-)history.

Often departing from literary or artistic references, her motifs depict an alternative history of female artistry, acknowledging its rich yet muted legacy. Highlighting the entanglement of creation and desire, she repeatedly engages with queer or female spaces: from depictions of gay bars, settings in the artists own studio, mediations on the muse, all the way to illuminations from Christine de Pizan’s literary utopia The City of Ladies.

With an exquisite employment of colour, hazy brushstrokes only just hint at figuration as objects like nails, staples or eggshells occasionally find their way onto the canvas - a welcome disruption as to contrast the tenderness of the motifs, accentuating the bold utterance of zu Knyphausen's work. Cosima zu Knyphausen, b.1988, she lives and works in Berlin.

Exhibitions